Hidatsa Scalp Dance

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Artist

Karl Bodmer

Birth and death dates

1809 - 1893

Artist Nationality

Swiss

Title

Hidatsa Scalp Dance

Date

January 1834

Dimensions

10 13/16 × 12 5/8 in. (27.5 × 32.1 cm)

Medium

Watercolor and graphite on paper

Institution

Joslyn Art Museum

Credit Line

Gift of the Enron Art Foundation

Accession Number

1986.49.279

Rights (i.e. copyright information)

Joslyn Art Museum

Photographer credit

Photograph © Bruce M. White, 2019

Commentary

The Hidatsas came to Fort Clark to perform their scalp dance twice in 1834, once in February after a retaliatory raid on some horse-stealing Assiniboins, and again in April after a surprise attack on a Sioux camp. The women played a principal role in these victory dances. They donned military attire, painted their faces like warriors, carried weapons, and displayed scalp trophies. In this image several women wear coup feathers in their hair, and one has on the horned feather bonnet reserved for acknowledged war leaders. Another holds a long pole from which dangles a stuffed bird with a hoop-mounted scalp fastened to its claws. Musical accompaniment is being provided by the men at the right with drums and rattles. The small drawing in the upper right corner may be a diagram of the dance arrangement, with representations of rattles, drums, the bird and scalp, and other figures showing the positioning of the dancers. Each of these three works is apparently a preliminary drawing for Tableau 27, a vivid aquatint portrayal of a scalp dance with over three dozen participants and observers. However, the lone penciled figure at the left in this image is unrelated to the aquatint, as is the detail above of his mirror.

References in Journal

Remarks on the Indian Tribe of the Mandans

Labels:

study

Approximate Depicted Location:

Fort Clark, North Dakota